A TV graphics package for the return of Channel4's Shooting Gallery which originally ran throughout the 1990's showcasing the best UK and international film-making talent.
The treatment was based around early test card animations to reference the original programme's late night scheduling. The package included a title sequence, an in-programme menu, credits and logo branding which derived from the very first test card in 1934.
A TV graphics package for the return of Channel4's Shooting Gallery which originally ran throughout the 1990's showcasing the best UK and international film-making talent.
The treatment was based around early test card animations to reference the original programme's late night scheduling. The package included a title sequence, an in-programme menu, credits and logo branding which derived from the very first test card in 1934.
A TV graphics package for the return of Channel4's Shooting Gallery which originally ran throughout the 1990's showcasing
the best UK and international film-making talent.
The treatment was based around early test card animations to reference the original programme's late night scheduling. The package included a title sequence, an in-programme menu, credits and logo branding which derived from the very first test card in 1934.
A TV graphics package for the return of Channel4's Shooting Gallery which originally ran throughout the 1990's showcasing the best UK and international film-making talent.
The treatment was based around early test card animations to reference the original programme's late night scheduling. The package included a title sequence, an in-programme menu, credits and logo branding which derived from the very first test card in 1934.
A TV graphics package for the return of Channel4's Shooting Gallery which originally ran throughout the 1990's showcasing the best UK and international film-making talent.
The treatment was based around early test card animations to reference the original programme's late night scheduling. The package included a title sequence, an in-programme menu, credits and logo branding which derived from the very first test card in 1934.
I worked closely with the directors and 3D animators to create a dynamic sequence using a series of experimental animations.
I worked closely with the directors and 3D animators to create a dynamic sequence using a series of experimental animations.
I worked closely with the directors and 3D animators to create a dynamic sequence using a series of experimental animations.
I worked closely with the directors and 3D animators
to create a dynamic sequence using a series
of experimental animations.
I worked closely with the directors and
3D animators to create a dynamic sequence using
a series of experimental animations.
A vertical rolling graphics treatment was developed to reference loss of synchronisation on analogue TV sets. We also developed a typographic treatment and experimented with saturated colours from the calibration cards.
I worked closely with the directors and 3D animators to create a dynamic sequence using a series of experimental animations.
A vertical rolling graphics treatment was developed to reference loss of synchronisation on analogue TV sets. We also developed a typographic treatment and experimented with saturated colours from the calibration cards.
A vertical rolling graphics treatment was developed to reference loss of synchronisation on analogue TV sets. We also developed a typographic treatment and experimented with saturated colours from the calibration cards.
A vertical rolling graphics treatment was developed to reference loss of synchronisation on analogue TV sets. We also developed a typographic treatment and experimented with saturated colours from the calibration cards.
More projects
TMA-2 HeadphonesAIAIAI
Channel IdentsFilm4
Grand Theft Auto V OnlineRockstar Games
Red Dead Redemption IIRockstar Games
BoundariesDrink Aware Campaign
Clubbed 2 DeathChannel4
Through The Looking GlassFinancial Times
© 2024 Blair Harrower